ROCHELLE FEINSTEIN
SOLO EXHIBITIONS
2008 Momenta Art, Brooklyn, New York
The Suburban, Chicago, Ill
2002 Pictures. Ten in One Gallery, New York
1996 Men, Women, and Children, Max Protetch Gallery. New York
The Wonderfuls, Jersey City Museum, New Jersey
Copycats, Bill Maynes Gallery, New York
1995 Paintings, Halsey Gallery, Charleston, North Carolina
1994 Paintings, Max Protetch Gallery, New York
1993 David Beitzel Gallery
1989 Emily Sorkin Gallery
1987 Emily Sorkin Gallery
SELECTED GROUP EXHIBITIONS:
2007 Aporia-Aporia, curated by the dB Foundation, LACE Gallery, Los Angeles, CA
Horizon, curated by David Humphrey, EFA Gallery, New York
2006 CMYK, CANADA Gallery, New York
Aporia, curated by the dB Foundation, EFA Gallery, New York
E-Flux Video Library, Arthouse, Austin, TX
Guess Who’s Coming to Lunch?, curated by Dean Daderko, David Reed Studio,
New York
Let’s Talk About… Larissa Goldston Gallery, New York
181st Annual of Contemporary American Art, Natl. Academy Museum, New York
2005 Techno-Sublime, CU Art Museum, Boulder, CO
Heavenly, or A Slice of White, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York
2004 A More Perfect Union, Max Fish, New York
The Spacemakers, Lothringer Dreizehn, Munich, Germany.
Giverny, 5 years of artists, Salon 94, New York.
After Matisse/Picasso, P.S.1 Contemporary Art Center, Long Island City
Table Top Sculpture/Jessica Stockholder, Gorney Bravin & Lee, New York
2002 Liste Art Fair, Basel, Switzerland
Table Top Sculpture/Jessica Stockholder, Gorney Bravin & Lee, New York
2001 Camera Works, Marianne Boesky Gallery, New York
All About Paint, Art Museum of University of Memphis, Memphis, TN
I See You(2), curated by Sam Messer/Kiki Smith, Fredericks/Freiser, New York
2000 Foundation for Contemporary Performance Arts Benefit, Matthew Marks Gallery, New York
The Living End, curated by Ingrid Shaffner, Boulder Museum of Contemporary
Art, Boulder, CO
1999 Gesture and Contemporary Painting, Warren Robbins Gallery, University of Michigan, Ånn Arbor, MI
Negotiating Small Truths, Jack S. Blanton Museum of Art, University of Texas at Austin, Austin, TX
Calendar 2000, Bard Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
Conversation, A.R.T. (Art Resources Transfer), New York
Down to Earth, Marianne Boesky Gallery, New York
1998 From Here to Eternity, Max Protech Gallery, New York
1997 The Drawing File, Pierogi 2000 The Gasworks, London
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Bklyn, NY
S.L.A.D., Apex Art, New York, NY
1996 Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, MO
Painting in an Expanded Field, Bennington College, Bennington, VT
1995 Re: FAB. Painting Abstracted, Fabricated and Revised, University Art Museum, USF, Tampa, FL
Works on Paper/Faculty, Yale University, School of Art, New Haven,CT
Skew: The Unruly Grid Gallery 400, University of Illinois at Chicago, IL
Cutting Up, Max Protech Gallery, New York
Other Rooms, Ronald Feldman Gallery, New York
Actual Painting, Periogi 2000, New York
1994 New Painting, Max Protetch Gallery, New York
American Abstraction, A New Decade, Southern Alleghenies Museum of Art,Loretto, PA
Redefining the Pop Icon n the 90s, Pamela Auchincloss Gallery, New York
SELECTED BIBLIOGRAPHY
Ash, John. Review, Artforum, November 1993.
Betts, Kristie, Review, The End is Here, Boulder Weekly Sept. 2000
Bless, Nancy. Review, New Art Examiner, March 2000
Bohnen, Uli. New York in Review, Kunst Koln, Fall, 1989.
Cyphers, Peggy. Review , Arts Magazine, Summer 1989
Decter, Joshua. New York in Review, Arts Magazine, Summer 1989
Elliot, Deborah. Review. The Commercial Appeal, June 24, 2001
Eler, Alicia, Review, TimeOut.Chicago,The Suburban, February 21, 2008.
Feinstein, Rochelle. The Question of Gender in Art,artist's statement, Tema Celeste,Winter 1993.
________________, Artists on Artists/Pam Lins. BOMB Magazine, Summer 2007
_______________, Art on Paper, Artifacture, essay. December 1999
_______________, Artist Statement, New Observations, Winter 1996
__ , Mob Rule, roundtable discussion on the Whitney Biennal 2000, May, 2000
________________, The Revenge of Capital: Barbara Kruger and the Fine Art of Selling, Arts Magazine, December 1988
Freedman, Matt. Review, Review, November 15, 1996
Griffin, Tim. Review, Paper Magazine, January 1996
Gregg, Gail. ArtNews Magazine, How to Talk to an Artist., June 2005
Hagen, Charles. Review, The New York Times, April 1, 1993
Hall, David. Review. The Memphis Flyer, June 7, 2001
Handy, Ellen. Review. Arts Magazine, January 1988
Heartney, Eleanor. Review, Art in America, April 1997
Johnson, Ken. Bus-Borne Prints: Mass Artistry in Motion.The Museum of Modern Art. New York Times, Feb 18,1980
___________. Art in Review, The New York Times, April 5, 2002
Kaneda, Shirley. Painting and Its Others: In the Realm of the Feminine,
Kley, Elizabeth. Review, ArtNews Magazine, Summer 2002. ARTS Magazine, Summer 1992
____________, Review, Aporia. TimeOut Magazine, April 20-26, 2006
Knafa Robert. 90s Pop at Auchingloss, Art and Auction. Issue 1004
Mendelson, John. Review, Artnet Magazine, October 15, 1996
MacMillan, Kyle, Review, Denver Post, February 10, 2005
Marglin, Elizabeth, Review,Daily Camera, Boulder, Co. February 4, 2005
Mitchell, W.J.T. Essay, ABSTRACTION AND INTIMACY, What Do Pictures
Want?, The Lives and Loves of Imaes. 2005,UofChicago Press
Myers, Holly, Review, Los Angeles Times, July 20, 2007
Pardee, Hearne. Review. ArtNews, February 1988.
Ramirez, Yasmin. Review. Artnet Magazine, December 6, 1996
Review, Print Collectors Newsletter, March 1996
Review, Art on Paper, Working Proof, December 2000
Servetar, Stuart. Review, New York Press, January 1996
Schade, Christopher. Review, Austin American Statesman, September 18, 1999
Schmerler, Sarah. Review, Time Out New York. November 28,1996.
, Review, Working in Brooklyn Time Out New York, August 1, 1997
_____________, Review, Disco Balls Meet the Iraq War in Williamsburgh, Village Voice,
February 12, 2008
Schwabsky, Barry.Review.Artforum, March 1997
_______. The Wonderfuls at the Jersey City Museum. The New York Times, 9/29/96
_________. Natural Anti-Natural Painting, Flash Art, January/February 1988.
Smith, Roberta. Review, The New York Times. November 22, 1996
____________, Review,The New York Times. July 6, 2001, Photography Review.
Tully, Judd. Feature Interview, Cover. September 1993
Van Gelde, Hilde. Essay, The Documenta 12 Project and Beyond, Aprior June 2007
Westfall, Stephen. Review , Art in America, March 1988
1995-present, Professor of Painting and printmaking, School of Art, Yale University, New Haven,CT